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Andre Cayatte : ウィキペディア英語版
André Cayatte

André Cayatte (3 February 1909, Carcassonne – 6 February 1989, Paris) was a French New Wave filmmaker and lawyer, who became known for his films centering on themes of crime, justice, and moral responsibility.
Cayatte began his directoral career at the German-controlled Continental Films during the French occupation. Some of Cayatte's earlier films that addressed his characteristic themes include ''Justice est faite'' (''Justice is Done''; 1950), ''Nous sommes tous des assassins'' (''We Are All Murderers''; 1952), and ''Le passage du Rhin'' (''Tomorrow Is My Turn''; 1960).

In 1963, he undertook a bold experiment in film narrative with a set of two films: ''Jean-Marc ou La vie conjugale'' (''Anatomy of a Marriage: My Days with Jean-Marc'') and ''Françoise ou La vie conjugale'' (''Anatomy of a Marriage: My Days with Françoise''). These two films tell the same story from two different points of view. His 1973 film, ''Il n'y a pas de fumée sans feu'', won the Silver Bear Special Jury Prize at the 23rd Berlin International Film Festival.〔(【引用サイトリンク】title=Berlinale 1973: Prize Winners )
==Selected filmography==

* ''La fausse maîtresse'' (1942)
* ''Shop Girls of Paris'' (1943)
* ''Roger la Honte'' (1946)
* ''The Revenge of Roger'' (1946)
* ''The Ideal Couple'' (1946)
* ''The Last Penny'' (1946)
* ''We Are All Murderers'' (1951)
* ''Before the Deluge'' (1954)
* (1957)
* ''Le glaive et la balance'' (1963)
* ''The Pleasure Pit'' (1969)
* ' (1971)
* ''Il n'y a pas de fumée sans feu'' (1973)
* ''Verdict'' (1974)
* ''State Reasons'' (1978)

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「André Cayatte」の詳細全文を読む



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